Phsyco- Hitchcock
How does the dialogue affect our perception of each character?
Norman and Mary Talk
It shows their characteristics and intentions about institutions. The man seems charing through dialogue and enraged by the idea of institutionalising his mother but the woman's dialogue tells the audience that she cares but also that she isn't opposed to this idea and quickly regrets sharing the idea. This is shown through the pace of his voice being slow and toned down making his voice sinister. He repeats certain words which shows the anger and how he is unhappy with the idea.
Mary's words attempted to calm Norman, her tone and pace tells us that she is tense and worried
Which lines of dialogue are most memorable?
How does the dialogue affect our perception of each character?
Norman and Mary Talk
It shows their characteristics and intentions about institutions. The man seems charing through dialogue and enraged by the idea of institutionalising his mother but the woman's dialogue tells the audience that she cares but also that she isn't opposed to this idea and quickly regrets sharing the idea. This is shown through the pace of his voice being slow and toned down making his voice sinister. He repeats certain words which shows the anger and how he is unhappy with the idea.
Mary's words attempted to calm Norman, her tone and pace tells us that she is tense and worried
Which lines of dialogue are most memorable?
INT. NORMAN'S PARLOR - NIGHT
In the darkened room, lit only by the light from the office spilling in, Norman faces Mary. Behind him, various taxidermy displays are mounted on the walls.
NORMAN
It's too late for me. And besides...
who'd look after her? She'd be alone
up there, the fire would go out...
damp and cold, like a grave. When
you love someone, you don't do that
to them, even if you hate them. Oh,
I don't hate her. I hate... what
she's become. I hate... the illness.
MARY
(Slowly, carefully)
Wouldn't it be better if you put her
in... someplace...
She hesitates. Norman turns, slowly, looking at her with a
striking coldness.
NORMAN
An Institution? A madhouse? People
always call a madhouse "someplace."
(Mimicking coldly)
Put her in Someplace!
MARY
I'm sorry... I didn't mean it to
sound uncaring...
NORMAN
(The coldness turning
to tight fury)
What do you mean about caring? Have
you ever seen one of those places?
Inside? Laughing and tears and cruel
eyes studying you... and my mother
there? Why? has she harmed you?
She's as harmless as... one of these
stuffed birds.
MARY
I am sorry. I only felt... it seemed
she was harming you. I meant...
NORMAN
(High fury now)
Well? You meant well? People always
mean well, they cluck their thick
tongues and shake their heads and
suggest so very delicately that...
The fury suddenly dies, abruptly and completely, and he sinks
back into his chair. There is a brief silence.
Mary watches the troubled man, is almost physically pained
by his anguish.
NORMAN
(Quietly)
I've suggested it myself. But I hate
to even think such a thing. She
needs me... and it isn't...
(Looks up with a
childlike pleading
in his eyes)
...it isn't as if she were a maniac,
a raving thing... it's just that...
sometimes she goes a little mad. We
all go a little mad sometimes. Haven't
you?
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